Selected Works

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Philippe Hiquily
La Traviata, 1991
Patinated bronze
75,5 x 110 x 25 cm
Signed and numbered from an edition of 8 copies + 2 EA + 2 HC
Foundryman Bocquel

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Philippe Hiquily
Gertrude, 1992
Bronze patina with ostrich egg
110 x 38 x 25 cm
Signed and numbered
Foundry Bocquel

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Philippe Hiquily
La Fente, 1990
Patinated Bronze
123 x 48 x 22 cm
Signed and numbered
Bocquel Foundry

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Philippe Hiquily
L'aurore, 1987
Patinated bronze
79 x 41 x 18 cm
Signed and numbered 7/8
Bocquel foundry

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Philippe Hiquily
Mademoiselle O, circa 1987
Patinated bronze 
73 x 24 x 27 cm
Signed and numbered 8/8
Bocquel Foundry

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Philippe Hiquily
L’araignée (Belinda), 1993
Patined bronze
90 x 57 x 17 cm
Signed and numbered 1/8
Bocquel Foundry

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Philippe Hiquily
La tapeuse, 1992
Patinated bronze
57 x 35 x 23 cm
Signed and numbered EA 3/4
Bocquel foundry

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Philippe Hiquily
Très Grande femme au masque, 1992
Bronze patina
230 x 100 x 20 cm
Signed and numbered 2/8
Foundry Bocquel

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Philippe Hiquily
L'évènement, 2003
Patinated bronze 
71 x 44 x 23 cm
Signed and numbered
Bocquel Foundry

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Philippe Hiquily
Les cuissardes, 2003
Bronze patina
91 x 47x 21 cm
Signed and numbered 4/8
Foundry Bocquel

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Hiquily: La gifle

Philippe Hiquily
La Gifle, 1991
Bronze patina
85 x 48 x 21 cm
Signed and numbered from an edition of 8 copies
+ 2 EA + 2 HC
Foundry Bocquel

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Philippe Hiquily
La Youp la Boum
Patinated bronze
Height : 114 cm
Signed and numbered
Bocquel Foundry

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Philippe Hiquily
Grande MIMI Patte en l’air, 1987
Patinated bronze
196 x 125 x 30 cm
Signed and numbered
Foundry Bocquel

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Philippe Hiquily
L’impudique, 1992
Patinated bronze
60 x 35 x 15 cm
Signed and numbered 8/8
Bocquel Foundry  

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Philippe Hiquily
La banquière, 1989
Patinated bronze and safe 
187 x 104 x 67 cm
Signed and numbered from an edition of 8 copies + 1 EA + 3 HC
Foundry Bocquel

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Philippe Hiquily
Lampadaire, 2003
Gold composite resin
195 x 65 x 30 cm
Signed

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Philippe Hiquily
Miroir « aux nénettes »2003
Gold composite resin
137 x 71 x 14 cm

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Philippe Hiquily
La Sévillane (Femme Lune), 2006
Corten steel
180 x 64 x 52 cm
Signé and numbered 8+ 4 E.A.
Bocquel Foundry

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Philippe Hiquily
Lolita Square, 2006
Bronze peint 
47 x 21 x 17 cm
Signé et numéroté 1/8
Édition de 8 exemplaires + 4 EA
Fonderie Bocquel

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Some of the works depicted are no longer available.

Biography

A metal sculptor since the 1950s, Philippe Hiquily is on the fringes of the avant-garde and sheltered from artistic movements and trends because he invents an essentialist work through direct metal, to engrave an "eroticism in movement" that explores the timeless links between man and woman and their distressing otherness.

A metal sculptor since the 1950s, Philippe Hiquily was born in 1925 in Paris. He joined the army in 1944 and left for Indochina where he stayed from 1945 to 1947. He was passionate about the temple of Angkor and the mobile bamboo fountains of the mountains of Laos. In 1948, he entered the Beaux-Arts in Paris at the same time as César, Guinot and Féraud. He was interested in Primitive Art and frequented the Musée de l'Homme more than the Louvre. He left Les Beaux-Arts in 1953 with a sculpture prize for an iron entitled Neptune. He also frequented the studio of Germaine Richier and Tinguely. On the fringes of the avant-gardes, sheltered from artistic movements and trends, Philippe Hiquily's sculpture is the expression of a profoundly singular artist. He invented an essentialist work through the material he invented, direct metal, to engrave an "eroticism in movement" that explores the timeless links between man and woman and their distressing otherness. Thus, the sculptor exhibited for the first time in 1955 at the Galerie Palmes. He received the Critics' Prize at the Paris Biennale in 1959 and exhibited the same year in New York at the Galerie Contemporaries. At that time, he met the eminent personalities of the art world including Leo Castelli, Rauschenberg, Varèse, Rosenquist, Nogushi, Marcel Duchamp, Max Ernst and Man Ray.
In 1962, Hiquily replaced sheet metal with brass and invented the "Kraftformer" which made it possible to bend sheet metal and restrict its edges, he thus created furniture in iron and aluminum. In 1972, he met Louise de Vilmorin who commissioned two coffee tables for André Malraux.
In 1975, Hiquily began an intense period of furniture-sculpture production.
He created mobile sculptures powered by electric motors and mobile fountains in 1980, which were presented at the F.I.A.C. by the Galerie Fabien Boulakia in 1984. In 2005, on the occasion of the publication of “Hiquily, bronzes et meubles” by Pierre Cabanne, at Editions de la Différence, Patrice Trigano presented a series of bronzes made in the 70s/80s, and the Galerie Yves Gastou showed for the first time around twenty pieces of furniture made in the 60s/70s. The LUTETIA hotel, faithful to its tradition of welcoming artists and sculptors, has been presenting around ten sculptures by Hiquily since 1998, which can be discovered throughout its lounges.

Bibliography

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