Jacques Herold

Selected Works

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Jacques Herold
Le Grand Transparent, 1947
Bronze
Height : 183 cm
Susse and Bocquel Foundry
An edition of 6 copy

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Jacques Herold
Le lit de Paris, 1985
Huile sur toile
97 x 195 cm

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Jacques Herold
5 grammes de soleil, 1946
Patinated Bronze 
Diameter: 22,5 cm, height : 14 cm
Signed and numbered
Bocquel Foundry

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Jacques Herold
Traité du rasoir, vers 1930 
Plume sur papier
22 x 15,5 cm

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Jacques Herold
La métaphysique du mets-le, 1985
Huile sur toile
195 x 114 cm
 

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Jacques Herold
Femmoiselle, 1942
Bronze
Hauteur : 45 cm
Édition à 8 exemplaires
Fonderie Susse

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Some of the works depicted are no longer available.

Biography

Hérold paints the legend of the plant and its power of metamorphosis, of communication with other kingdoms to result in an alchemical garden.

Jacques Hérold (1910-1987) was a Romanian artist who made his career mainly in France. In 1925, he was awarded a scholarship to the School of Fine Arts in Bucharest, where he was welcomed by the poets who ran the Romanian magazine UNU, which was of a surrealist spirit and collaborated with it. He then arrived in Paris in 1930, and experienced a few difficult years that required him to work in various professions before joining his compatriot, the sculptor Brancusi, as an assistant. Shortly afterwards, he became friends with Brauner, Tanguy and Breton and became part of the surrealist group in 1934. He wrote "Maltraité de peinture" in 1939 (which he published in 1957) and decided to "paint the wind", thus committing himself to a crystallographic vision of the world, where objects interpenetrate. In 1941, he participated in the creation of the "Marseille Card Game" with André Breton, Victor Brauner, Oscar Dominguez, Max Ernst, Wifredo Lam and André Masson. In addition to his painter friends, he was friends with many poets and writers and we owe him many illustrations. He also painted theater sets. At the end of the War, he settled in Lacoste in Provence, thus beginning the period in which he painted "La Liseuse d'aigle". When he returned to Paris, he participated in 1947 in the international exhibition of surrealism where he exhibited "Le Grand Transparent", one of the masterpieces of surrealism. 
The 1950s saw Hérold experiment with texture and material in his painting. After being excluded from the group of surrealists, he remained faithful to their stylistic principles. He used pictorial automatism during the "white Period", the white color having the objective of letting a lyrical and dreamy abstraction shine through. In the 1960s and 1970s, Hérold continued to innovate. He created object-paintings and poem-posters. His painting was increasingly inspired by nature. The bursts, the touches, the feathers and languages ​​of color: Hérold painted the legend of the plant and its power of metamorphosis, of communication with the other kingdoms to end up with an alchemical garden. Until the end of his life, he participated in numerous collective and personal exhibitions in France and around the world.