Isodore Isou

Selected Works

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Isodore Isou
Sans titre, 1988
Huile sur toile
55 x 46 cm

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Isodore Isou
Sans titre, 1989
Huile sur toile
55 x 46 cm

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Isodore Isou
Sans titre, 1983
Huile sur toile
55 x 46 cm

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Isodore Isou
Sans titre, 1986
Huile sur toile
55 x 46 cm

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Isodore Isou
Sans titre, 1978
Huile sur toile
55 x 46 cm

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Isodore Isou
Sans titre, 1971
Huile sur toile
46 x 55 cm

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Isodore Isou
Sans titre, 1974
Huile sur toile
55 x 46 cm

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Some of the works depicted are no longer available.

Biography

For Isidore Isou, the letter and, more broadly, the sign, constitute the foundation of a radical renewal of the arts.

Isidore Isou (1925-2007) was an artist of Romanian origin. Arriving in Paris in August 1945, at only 20 years old, he quickly became known in intellectual circles, meeting personalities such as André Breton, André Gide and Tristan Tzara. With, and sometimes against them, he would become one of the last defenders of the avant-gardes. Alongside Gabriel Pomerand, he founded the Lettrist movement, which he presented in 1946 during a provocative intervention at the Théâtre du Vieux-Colombier. Thanks to the support of Jean Cocteau and Jean Paulhan, Isou saw his work published in La Nouvelle Revue française in 1947. In his theoretical essay, Introduction to a New Poetry and a New Music, he laid the foundations of Lettrism: he analyzed the decomposition of poetry since Baudelaire and announced the advent of the letter, which he considered to be the culmination of this purification process. For him, the letter and, more broadly, the sign, constituted the foundation of a radical renewal of the arts. An insatiable graphomaniac, Isou wrote several hundred works, extending his thinking to many disciplines: the visual arts, architecture, politics, economics, mathematics, medicine, psychology and even erotology, which he explored through his method of "kladology", an approach invented to reinvent all branches of culture.
In 1976, he synthesized his research in a monumental theoretical work, La Créatique ou la Novatique.
Throughout his life, Isou surrounded himself with fellow travelers with whom he confronted his ideas and produced a large-scale plastic work. Some, like Maurice Lemaître, remained close to him for a long time and played a major role in the achievements of Lettrism. Isou's concepts are numerous and visionary. Through his work, he anticipated important turning points in the history of art. "Hypergraphy", "mecha-aesthetics", "infinitesimal art" and the "supertemporal framework" are practices that would mark the art of the second half of the 20th century. His thinking goes beyond the arts, particularly in politics, where his emphasis on youth would find an echo in situationist thought and the demands of May 1968.