Henri Michaux

Selected Works

pix
6f2fda017d09468c7ee046a6f08657d5 - Copie.jpg

Henri Michaux
MP 1577, 1977
Oil and acrylic
35 x 24 cm

contact the Gallery
pix
6eb673bb00114ff804b5991f6c47e3b5 - Copie.jpg

Henri Michaux
KC 505, 1984
Oil
19 x 27 cm

contact the Gallery
pix
Henri Michaux .jpg

Henri Michaux
KC 470, 1971
Ink, acrylic and oil on paper
37.5 x 54 cm
Monogrammed lower left

contact the Gallery
pix
07 - Copie.jpg

Henri Michaux
K 225, 1970
acrylic
54 x 75 cm

contact the Gallery
pix
41263b54502bbfcff2487671ab342782 - Copie.jpg

Henri Michaux
MP 1258, 1982-1983
Huile
22 x 33 cm

contact the Gallery
pix
1c8d1381df04dfbd062c6ea6e2d33692.jpg

Henri Michaux
MP 1871, 1982-1983
Oil
41 x 37,3 cm

contact the Gallery
pix
b8c788fcd006825ef4e4e1b5c852f66d - Copie.jpg

Henri Michaux
KC 393, 1982
Oil
16 x 24 cm

contact the Gallery

Some of the works depicted are no longer available.

Biography

Henri Michaux's hand is tenacious. It writes, draws, paints continuously. It traces lines, furrows, undulations that accumulate in a strict immensity. Nothing seems to stop it, not even the communication between the writing and the image, usually impossible to elucidate and which in Michaux is incessant.

Henri Michaux (1899-1884) was a Belgian writer, poet and painter who, as a child, was solitary and fragile, sulking about life and games and finding refuge in reading. In 1920, he abandoned his medical studies that he had begun a year earlier to embark as a simple sailor and spend a year in South America. On his return, reading Lautréamont rekindled his need to write. Supported by Franz Hellens, he published his first text in a magazine "Cas de folie circulaire", followed by two booklets. In 1924, he moved to Paris where, encouraged by Supervielle and Paulhan, he had his first collection, "Qui je fus" (1927), marked by surrealist inspiration, published by Gallimard.

In 1925, he saw the works of Klee, Ernst and Chirico... an extreme surprise. Until then, he hated painting and the very fact of painting, as if there was not enough reality. In 1937, he began to draw differently than from time to time and he exhibited for the first time at the Galerie Pierre in Paris. He then continued to work tirelessly, to the point that his graphic production ended up surpassing in part his written production. Throughout his life, he explored watercolor as well as pencil drawing, gouache as well as engraving and ink. He was also interested in calligraphy, which he integrated into several of his works. In 1957, he exhibited in the United States, Rome and London. In 1963, he exhibited collectively at the Galerie Notizie in Turin with Borduas, Burri, Dubuffet, Pollock, Tapies...
Henri Michaux's hand is tenacious. It writes, draws, paints continuously. It traces lines, furrows, undulations that accumulate in a strict immensity. Nothing seems to stop it, not even the communication between the written and the image, usually impossible to elucidate and which in Michaux is incessant. About his experience as a painter, he wrote in 1972 in "Émergences-résurgences": "I would like a continuum. A continuum like a murmur, which does not end, similar to life, which is what continues us." Michaux paints to escape verbal servility: an attempt at a nomination would therefore be vain and usurped. Several retrospectives of Michaux have been organized; one in 1964 at the Stedelijk Museum in Amsterdam, in 1965, André Malraux held his first major retrospective at the Museum of Modern Art. In 1966, he participated in a new group exhibition at the Le Point Cardinal gallery with Antonin Artaud, Max Ernst, Ferrer, Claude Georges and Matta. Two years later, living in the Latin Quarter, he witnessed the events of May 68. He transcribed them in the series of black acrylics "Arrachements". During this decade, he experimented with the consumption of mescaline and other hallucinogenic drugs in order to adopt a scientific approach, self-observation, with regard to these psychotropic substances and the artistic creation that resulted from them.