Biography
Hartung experiments with spots of colour, free lines and abstract forms, where black plays an important role. He quickly becomes recognised as one of the leaders of lyrical abstraction, particularly thanks to his unique plastic "writing".
Hans Hartung (1904-1989), a French painter of German origin, was passionate about astronomy, photography and drawing from a young age. The study of the old masters, particularly Rembrandt, reinforced his desire to become a painter. From 1922, Hartung turned towards tachist abstraction, producing a series of ink drawings. From 1924, he immersed himself in studies of philosophy and art history, while enrolling at the School of Fine Arts in Leipzig, then Dresden. The discovery of the work of Wassily Kandinsky in 1925 profoundly influenced his artistic research, encouraging him to continue his exploration of abstraction. In 1926, a decisive encounter with modern French painting at the International Exhibition in Dresden pushed him to settle in Paris. There, he frequented the studios of André Lhote and Fernand Léger, before returning to Dresden where he presented his first exhibition. However, Hitler's rise to power in 1935 forced him to leave Germany and return to France. In the 1930s, influenced by the work of Joan Miró, Hartung began to experiment with spots of color, free lines and abstract forms, in which black played an important role. This period marked the formation of the visual vocabulary that would characterize his entire work.
At the beginning of the Second World War, he suspended his artistic production and joined the Foreign Legion. After the war, wounded and having had a leg amputated, he resumed painting with a more vigorous approach. He quickly became recognized as one of the leaders of lyrical abstraction, particularly thanks to his unique plastic “writing.” In the 1950s, Hartung devoted himself to works composed of bundles of lines and black shapes. His popularity grew and several retrospectives were devoted to him in international museums. During the 1960s, his work was enriched with new forms of expression, including prints, drawings, photographs and paintings. Always seeking experimentation, he used unconventional tools such as spray guns, styluses, large brushes and rollers. He also turned to vinyl and acrylic paintings, while venturing into series of works that would define his production until his death in 1989, in Antibes, where he had set up his studio.