André Derain

Selected Works

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André Derain
Portrait de Boby, circa 1946-50
Oil on canvas
38 × 36 cm
 

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André Derain
Portrait de Boby dormant, circa 1940-45
Oil on canvas
45 × 59 cm

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André Derain
Maternité, circa 1946-50
Oil on canvas
130 × 97 cm

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André Derain
Portrait de femme aux mains croisées,  vers 1924
Huile sur toile
91 x 81 cm
Signé en bas à droite

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André Derain
Chasse au cerf, 1938
Huile sur toile
199 x 163 cm
Cachet de la signature
 

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Some of the works depicted are no longer available.

Biography

André Derain is the leader of Fauvism. Indeed, he paints mainly in pure color in order to distance himself from any conventional and limiting contact. His significant meetings with Maurice de Vlaminck and Henri Matisse allow him to bring a new conception of light and a classical modernism to his work.

André Derain (1880-1954), began his apprenticeship with the painter Jacomin and attended the Académie Camillo. Then in 1900, he created a joint studio with Maurice de Vlaminck, with whom he had become close. The two painters produced realistic paintings. From 1904, Derain painted mainly in pure color in order to distance himself from any conventional and limiting contact. The following year, he exhibited at the Salon des Indépendants, then at the Salon d'Automne where he was exhibited in the room called "La cage aux fauves", he thus became the leader of Fauvism. The art dealer Ambroise Vollard acquired all the works in his studio. Derain stayed in Collioure with Henri Matisse, and there discovered a new conception of light, applying to his canvas a multiplicity of small touches of bright colors.
From 1907, Derain simplified and geometricized his forms, applied more neutral colors, seeking to achieve a synthesis between classicism and modernity. At the same time, he produced illustrations for books (Appolinaire, Rabelais, etc.). A few years later, in 1916, he had his first solo exhibition while he was mobilized for the war. During the interwar period, Derain created sets and costumes for ballets, and returned to a more realistic and classical painting in reference to the old masters. We thus find compositions of characters or bouquets of flowers. During the Second World War, he took part in a trip with French artists to Germany, but he refused them to buy anything, which led to popular rejection in the post-war period.